As all runs well, this domain should soon have its own name. I am taking steps to move the site to http://www.ludwigdesmet.com – the intention is that subscribers still get messages when new posts are made, but if you experience a longer-than-normal delay in new reminders from my side, something might have gone wrong. I’m not web guru by far, prepare for the worst.
please enjoy this first image from a shoot I did a couple of weeks ago. Romina has finished her studies in drama and theatre, has Italian roots, and was a pleasure to work with.
Canon 5D mark II with Sigma 50mm f1.4 DG A
1/50s f2.5 ISO500
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Bowie is no more, let’s remember some of his words.
so I’ll keep trying, till I succeed …
– Justine –
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Images © ludwig desmet – Canon 5D II with Canon 135mm f2 L
– 2016 will be a good year –
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1/30s f2.8 ISO 1250 Canon 100mm Macro
The story is told that there is a ghost swarming above the castle lake at night. It is there to protect the treasure of gold and jewellery, hidden in the waters of the lake.
I’ve never seen the ghost, nor have I any proof about the treasures existence, but it sure does great as a photo shoot backdrop.
I have a lot more images from this series, analog as well as digital, so visit this blog again soon to see the remainder results.
This image: Rolleiflex 3.5 TLR with Kodak T-Max100 film.
Make up: Heidi
photographer: Ludwig 😉
a small series of images, a little voyeur style.
All images Canon 5D II – with Canon 100mm and Sigma 50 mm. Thank you for watching,
Long legs, high heels.
Sharon came to me for a shoot for her ‘Miss Universal’ – edit: ‘Reina Intercontinental’ – election in Costa Rica.
She’s not new to me. I worked with her before, here, here and here.
We did several clothing outfits, one even more ‘missy’ than another, not really my style as you probably know by now, but I found this image rather sexy at least.
You can express your support for Sharon here: FB page
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I’m generally very careful about the integrity and privacy of my models. Usually when I shoot artistic work with a model I contact, I have my models sign an image release contract. This enables me to be able to publish the images on my personal web and marketing platforms (such as this blog), exhibits and book publishing. Mostly they still get the possibility to refuse image X or Y from a selection, if they think they are not beneficial to their personal image. Also they have the option to be published under a different ‘model name’ than their real name.
For people contacting me for a shoot, things are a bit different, they pay me for my work, and although I automatically get the image rights for the pictures I take, I do not have the ‘right of publication’ of them, without explicit consent of the person in the portrait. This is not contract bound, but on an ‘allow or refuse’ free decision of the client.
I made a series of portraits of this lady here. If I asked here, would it be ok if I post an image of this series on my blog, she said ‘no problem, as long as it stays anonymous’.
So here she comes: ‘The mysterious lady from the Brussels region’
Canon 5D mark II, Sigma 50 mm f1.4 DG A, 1/80 s – f1.4 – ISO 400
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When I met Pauline at a hotel room in Ghent, the sun was shining brightly. This led to a difficult light situation, with very high contrasts in the room. (Contrast ratio 10/1 sunlit: 1/500s f2.0 ISO100 – shadow: 1/50s f2.0 ISO100) You either have to stay out of direct sunlight, or be very careful working into it. The key here is to make sure that your exposures are good for the sunlit areas, and certainly not overexposed. This can be done by spot metering the lit area’s and fixing your exposure to that metering. This gives you dramatic contrasts, and a perfect light situation for the ‘hide and reveal’ kind of images. The situation became even more tricky later on, as thick clouds began to block the light more often than not. All images with Canon 5D II and Sigma 50 mm f1.4 Art.
I loved working with Pauline, she’s full of character, she has confidence in me as a photographer, and she’s willing to play with the camera. Of course her drama lessons add a lot to that.
see you soon for some analog images from this same shoot. I shot two rolls of T-Max 400 film that same afternoon.
a couple of weeks ago my work got published as an exclusive feature on NIF Magazine.
NIF (Nude Is Fashion) Magazine is an online platform for promotion of the nude as a fashion statement. They do so by promoting art-nude and fashion nude photographers on their website.
I thought that ‘Tatjana at Sabine’s house’ was a series that fitted well this description.
look for yourself:
Part two of this shoot with Sarah. In the living room of this nice house.
A grey and wet day, difficult light in this house with dark accents and furniture, and relatively small windows.
I look for windows for the available light to fall maximally on my model, but then you are in a backlight situation, which makes it always difficult to not overexpose the background/underexpose the foreground.
A further problem with this is that you have a cool color temp from the outside (6500 or so) and a warm 3000 degrees Kelvin temp on the inside. Luckily we are able now to locally brush in color temperature in Lightroom now.
Two of the images are taken with somewhat further away from the window, with only some available tungsten light.
Sarah has some kind of ‘tristesse’ in how she looks at the camera, I’m not sure she realizes this herself. Maybe she will if she reads this blog. 😉
She also has amazingly long and beautiful legs and a nice figure. She is rather used to posing, but she managed to still pose in some natural way.
Canon 100 mm f 2.8 L Macro IS and Sigma 50 mm f 1.4. I’m happy I have a stabilized lens for these occasions. The 100 mm Macro allows to stretch shutter speed up to 1/25 th of a second, with no visible camera shake.
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